Participate in our free international contest and have your digital works projected
where: Basilica of S. Maria in Montesanto (Church of the Artists) in Rome's Piazza del Popolo
when: from 15 to 18 February 2025, on the occasion of the ‘Jubilee of the Artists
organisation:
‘Art on Plaza’, curator Stefano Favaretto, project-manager Paolo “Paolo” Ferigo
patronage:
- Pontifical Academy of Theology’.
- Basilica S.Maria in Montesanto (Church of the Artists)
conception:
Paolo ‘Paolo’ Ferigo and Stefano Favaretto
Through the ‘Sacred Art 3.0’ competition, we want to make the Christian and spiritual message more accessible and comprehensible using current visual and technological languages.
Participants will have to reinterpret in a contemporary key what have defined sacred art over the centuries.
- max. 3 static or animated digital works (only in landscape format 1920 x 1080)
- video max. 10 seconds and max. 500 mb
- free participation (no fees)
- deadline for submission of works: 05/02/25
- artwork selection: 5-10/02/25
To participate: Send your works to: artonplaza@gmail.com (with wetransfer for video)
‘Sacred Art 3.0’ is a spiritual expression that integrates digital technologies, interactivity and ecological sensitivity, creating immersive and inclusive experiences.
It adapts contemporary languages to dialogue with a global community, reflecting universal themes of faith, identity and sustainability, and fostering an encounter between spirituality, religious tradition and technological innovation.
‘Sacred Art 3.0’ is an international contest open to all digital artists who wish to explore and reinterpret the concept of spirituality and sacredness in the contemporary context, merging religious tradition, spirituality and technological innovation.
Through the use of digital techniques, augmented reality, virtual, generative art or other interactive forms, participants are invited to create works that reflect the sacred in a global, inclusive and eco-sustainable dimension, responding to the challenges and opportunities of our time.
- stimulate reflection on how spirituality and the sacred can be represented in the digital world
- To create a dialogue between the past and the future of sacred art, through the integration of new technologies
- promote inclusivity, sustainability and global connectedness in the context of contemporary spirituality
- to offer international visibility to emerging digital artists and their innovative works
The contest is open to all digital artists, professionals and amateurs, from all over the world. Single or collective works using digital media such as:
- static digital art (painting, illustration, digital photography)
- generative and algorithmic art
- digital animation and video
- virtual (VR) or augmented reality (AR) installations
- interactive and immersive works
- 3D art and virtual worlds
- other digital or technological forms
Proposed works should explore ‘spirituality’ or ‘sacredness’ as a universal concept, through the use of modern technologies, reflecting on topics such as:
- spirituality in the digital age
- the encounter between faith, nature and innovation
- religious traditions and their technological reinterpretation
- religious and cultural inclusiveness in the global world
- sustainability and ecological responsibility in the context of sacredness
1) submission of works:
Each participant may send one or more works, accompanied by a description of the project, the technique used and the message they intend to communicate
email: artonplaza@gmail.com
2) format: The works must be uploaded in digital format (e.g. .jpg, .png, .mp4, .obj files for 3D, links to AR/VR projects, etc.).
3) deadline: The deadline for submission of works is 5 February 2025
Innovation: The creative use of technology and new forms of expression, particularly those generating animated works
Thematic relevance: The extent to which the work addresses the theme of sacred art 3.0 in a relevant and original way.
Aesthetics and visual impact: The visual quality and communicative effectiveness of the work.
Interactivity and involvement: The ability of the work to engage the audience in a unique and meaningful experience.
Sustainability: If applicable, the use of techniques and themes that promote ecological awareness.
The composition of the jury of artists and theologians who will be involved in the unquestionable selection of the works is being finalised.
MAIN PRIZE
inclusion of the selected works in the inauguration screening of the ‘Jubilee of Artists’ (the works will bear the name and QR code of the artist)
special prizes: these are currently being defined
a number of side events that will take place at the same time as ‘Art on Plaza’ are being defined
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